Teatro ZinZanni Lowers Final Curtain in Seattle
A spiegeltent crafted of wood, canvas, and velvet, adorned with stained glass, vast mirrors, and regal chandeliers overtook an empty lot on Mercer Street. An arching sign marked the threshold of the new world of Teatro ZinZanni, welcoming guests to their first show, Love Chaos and Dinner, which featured a unique cast of acrobats, clowns, and various other talents. What was meant to be an 11-week run sprouted roots and secured ZinZanni as Seattle’s staple circus destination for nearly three decades.
Letter from the Editor
Friends and Comrades,
I’ve been thinking a lot lately about Resistance. What it means, what it looks like, and how it sticks. What is its staying power? What keeps it going?
COVID-Cautious? Safely Enjoy Community with These Events
While it may often seem like the entire world has moved on from the threat of COVID-19, there are always pockets of community support and care to be found! Seattle is home to not only long-standing masked events like Queer Fight Night and Disabled List Comedy Festival, but also to brave one-offs; businesses are reaching out and asking, “Is there any interest in this?” Let’s let them know that the answer is a resounding yes! Even as the world grows more and more perilous, we must endeavor to continue to make safe spaces for all.
Queer Up-and-Comer Alise Garcia Chats Lezztalkaboutit’s Accessible Events
Back in November, I had the privilege of covering the Performative Femme Contest hosted by Alise Garcia of Lezztalkaboutit. It was a stunning display of Queer community. Recently, Alise and I met up for coffee to discuss the purpose of Lezztalkaboutit and what she has in store for the future. We also discussed the importance of community and what it takes to build one.
Studio 18 Supports Emerging Artists with Shared Delusions
Their exhibit opened to the public for a one-day event on Saturday, November 15 at Studio 18 Artist Collective. “This is a very historically [sic] arts building. They used to throw raves here in the ‘90s, early 2000s,” Reinhardt stated. The building is tucked beside train tracks underneath busy roadways—empty and bustling all at once. At the top of a thin staircase was the gallery opening, alive with visitors and music.
Greenwood Artists Fight Fascism with Flair and Community Support
Corey Skullcrusher, an artist with the Waiting Room, appeared in full aristocratic flamboyance to accompany their “monstrosity.” From dress to wig to bloody neck, Skullcrusher embodied beheaded nobility. The presence of such elegance brought forward a message of resistance. Skullcrusher explained that the guillotine was historically the most humane way to oust those who were abusing power. While the golden cardboard guillotine may be a bit campy and cheeky, “it’s very specifically a message.”
Pepper Pepper on Pink’s Power: Queerness, Movement, and Magic
Walking into Pepper Pepper a.k.a. Kaj-Anne Pepper’s show Pink Moment: Collections at Seattle Central’s M. Rosetta Hunter Gallery feels transcendent. Predominantly a new media show with video, sound, and some photography, Pink Moment is an exploration of “pink as queer energy, movement, and magic.” Viewing the work, the color pink takes on an ethereal effect as the motion of Pepper Pepper—acting as both subject and performer—reveals a dynamic, prismatic quality that is dreamlike and hypnotizing.
Fossil & Stone Spotlights Natural Worlds in the Heart of Downtown
Just a quick walk from the Westlake Lightrail Station, and a few blocks inland from the bustling Pike Place Market, Fossil & Stone Fine Art Gallery stands still and quiet amongst the normal chaos of downtown Seattle. It is a gallery that one might walk past day in and day out, never quite noticing the inspiring and beautiful art within.
Iconic Convos: Saint Rat
Nicole Bearden (NB): You’ll find our next guest nestled in an arched niche of the Cal Anderson Gatehouse. Saint Rat is the talk of the town this summer—Hot Rat Summer, that is. Welcome to Iconic Convos, Saint Rat. I’m thrilled to finally connect.
Saint Rat (SR): Blessings of the Season, my child.
NB: You are having a bit of a moment. How are you dealing with your newfound notoriety?
Birds of Play Hatches Whimsical Fun at Seattle Public Theater
The show is a packed variety hour (and a half) featuring all manner of dance, illusion, aerials, and comedy. Oh yeah—and birds. At the start the audience is notified that the show might be different and more interactive than they are used to: “Things may happen above you, or behind you…and if you’d like to show your approval, feel free to do a little bird call.”
Heidi Fairall Chats Joy, Gifting, Learning Art (and Dogs)
On June 10, 2025, I had the fortunate and unique opportunity to sit down with Seattle artist Heidi Fairall. Her quirky and whimsical style shows not only to how she perceives art, but life itself, and was refreshing and inspirational for aspiring creatives alike. For myself, she made me think about how I approach the creative process when it comes to my own projects.
Base Camp Studios Invites Discussion, Interactivity Among Art, Artists, and Public
Base Camp Studios 2 isn’t just a studio space. It’s a community. It’s a reminder that art lives through people, through shared space, and through the simple act of saying, “Hey, come take a look.” If you are looking for art that moves, surprises, and welcomes you, head to Base Camp. You won’t just see the art. You’ll feel it.
Northwest Press Serves the LGBTQ+ Stories You Haven’t Yet Seen
It is refreshing to have a press dedicated to queer stories. It is even better that these stories are so accessible. Many of Northwest Press' offerings are available digitally for download as well as in traditional paper and hardback. The price of each is much more affordable than the latest from the big publishers as well as in a beautiful package. There is something for everyone at Northwest Press, and as it says on much of their wonderful merch: Comics are for everyone.
Fetish Ball Relishes in Sexual Liberation Celebration
When asked to attend the 2nd annual Seattle Fetish Ball and write about it, I only had one question at first: What do you even wear to fetish balls? I’m the type of person that needs to look at menus, check parking, and figure out how long a walk from place to place is. I like being informed, but mostly I have a fear of being or looking out of place. Luckily, they had guidelines. Fetish wear required, it was clearly intended to be a safe space for the fetish/kink/alternative communities.
Iconic Convos: Afterglow Vista
A day trip out of Seattle up to San Juan Island, near the Canadian border, will take you to one of my favorite Washington icons. At Roche Harbor, a short walk through a wooded cemetery more than a century old will lead to a clearing, in the center of which rests a large stone rotunda. Afterglow Vista (previously known as McMillin Memorial Mausoleum) seems otherworldly—a classical, open-air rotunda containing Masonic symbols, including a round stone table and chairs (in which the ashes of the McMillin family, along with those of John S. McMillin’s secretary Adah Beeny are interred) in the center of a Pacific Northwest island forest.
![Jennifer Leigh Harrison is Trying to Tell You Something About Femicide [Part 2]](https://images.squarespace-cdn.com/content/v1/65456cf1d440cc19dd37c744/1747961666873-5FWVNV5G439GGWXEJ2OE/Image_14.JPG)
Jennifer Leigh Harrison is Trying to Tell You Something About Femicide [Part 2]
JLH: [This show] is sort of like confirmation. And I think that’s been an experience for people. I’m also a Survivor. The experience of people coming in and asking, “Does this agree with me or not?”, and me feeling concerned and sensitive about how this feels for Survivors, because, again, the framing is not around Survivor experience. It’s around the document, the lack of documentation, and the protest around our systems of power that are definitely not serving. So almost an archival protest. The programming needed to be more of a deepening of conversations around survivors and their experiences.
![Jennifer Leigh Harrison is Trying to Tell You Something About Femicide at CoCA [Part 1]](https://images.squarespace-cdn.com/content/v1/65456cf1d440cc19dd37c744/1747955426480-ETKCHGPDYHGYKEL48J28/Image_10.jpg)
Jennifer Leigh Harrison is Trying to Tell You Something About Femicide at CoCA [Part 1]
On the surface, the works in Jennifer Leigh Harrison’s show I’m Trying to Tell You Something: Breaking the Silence of Femicide Through Visual Art at Center on Contemporary Art (CoCA), belie the show’s heavy subject matter. In contrast, the work is light, largely abstract, not portraiture, with no obvious violence exhibited. In fact, the only works featuring human subjects are a performance by Harrison and two videos, where she partners with performers from Seattle Pole Dance. A closer look, however, reveals that Harrison’s work utilizes a unique data visualization, in addition to educational wall labels, to tell the stories of intimate partner violence (IPV) against women.
Iconic Convos: Erasmus the Rooftop Dragon
If you spend time in historical Downtown Renton, you will likely run across our next guest—just look up. Erasmus the Rooftop Dragon landed atop a crooked little building in 2019. Since then, the city of Renton has embraced Erasmus, holding the annual Dragon’s Landing festival every April to commemorate his arrival.
Nicole Bearden (NB): I’m excited to chat today, Erasmus. I’ve never had the pleasure of speaking with a dragon before.
Erasmus the Rooftop Dragon (ERD): The honor is yours, I’m sure.
Upcycled and AAPI Fashion Converge with Acuña’s Orchid Motif
Celebrating Asian American and Pacific Islander Heritage month, Heidi Grace Acuña presented their debut fashion show with Living Waling Waling, held early May 2025. Acuña partnered with Seattle Center and was selected to represent and uplift emerging and established local AAPI artists. Acuña is a multidisciplinary artist who has appeared on TV, galleries across the West Coast, and was a finalist at Fruit Bowl. Born in Washington and raised in Hawai’i, Acuña moved from sculpture to fashion and brought a colorful bouquet of upcycled and sustainable clothing through their designs.
Follow Your Dreams, Puzzles, and Nightmares in The Shape of Night
Created by Eva Anderson, Derek Bishé, Mali Elfman, Eric Hoff, Tommy Honton, and E3W Productions (Aaron Keeling, Austin Keeling, Natalie Jones), AOTW is a completely new flavor of production. The focus of AOTW is to create a deeper relationship between art and its participants, and the entrancing world of The Shape of the Night is completely enrapturing, entangling you in the story, performance, and atmosphere. The Shape of the Night is an art gallery, an escape room, a drag show, a play, and a magical realm.
