‘The Orca Show’ is the Perimenopausal Fever Dream We Deserve
Reviews Lynette Evans Reviews Lynette Evans

‘The Orca Show’ is the Perimenopausal Fever Dream We Deserve

Let’s be clear: Society treats the onset of menopause like a slow-motion car crash into a nursing home. Menopausal women are expected to go quietly, perhaps draped in a drab beige sheet, clutching a bottle of magnesium oil and apologizing for their sudden lack of utility. But Aysan Celik isn't interested in apologies or beige aesthetics. In The Orca Show, Celik takes the change of life and dunks it headfirst into the freezing depths of the PNW. It turns out, if you want to understand why you’re currently possessed by the spirit of a 5-ton apex predator, you have to look at the only other mammalian girly who loses her period at forty: the orca.

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Noveltease Arouses, Enlightens with Intersectional Literary Burlesque
Reviews Raegan Ballard-Gennrich Reviews Raegan Ballard-Gennrich

Noveltease Arouses, Enlightens with Intersectional Literary Burlesque

If you believe burlesque isn’t for you or you’ve never attended a show before, Noveltease offers an experience that highlights the intersection of literature, dance, music, and history in a small venue, creating an intimacy that provides multisensory entertainment. I left feeling good, emboldened, and creative. And though glamorous clothes were shed, the message of the evening—particularly within the selected poems—was that of reclamation, self-affirmation, and pleasure without shame or exploitation.

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‘SHe Said’ Delivers Rockin’ Story of Relationship Evolution
Reviews Parker Dean Reviews Parker Dean

‘SHe Said’ Delivers Rockin’ Story of Relationship Evolution

On January 15, the Intiman Theatre in Capitol Hill debuted SHe Said, a musical inspired by Trans love, resistance, and a whole lot of rock ‘n roll. Jen Ayers, along with a talented backing band, tells the true story of her partner coming out as transgender and the whirlwind of emotions that ensued. SHe Said is a heartfelt musical, touching on every feeling, heartbreak, and swirling thoughts that Jen experienced, along with the love for her partner that kept her aloft.

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Twin Peaks: The Return Offers Meditation on Grief, Feeling Life in the Moment
Points of View, Reviews Gray Harrison Points of View, Reviews Gray Harrison

Twin Peaks: The Return Offers Meditation on Grief, Feeling Life in the Moment

Two days after the dream, I entered a darkly lit theater in Northwest Film Forum to the familiar sound of the synth-heavy, nostalgic yet eerie Twin Peaks theme song, and shuffled into a seat. I was about to spend two hours watching episodes five and six of Twin Peaks: The Return (2017), as part of a collaborative screening of the entire 18-episode season held by Northwest Film Forum, SIFF, The Beacon, and The Grand Illusion Cinema between November 13 and December 16 of this year. I had only watched the first four episodes of the first season of David Lynch’s masterpiece series set in our home state. But there I sat, going in blind.

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Craving Live Music? We Know a Spot
Overviews Kristel Chua Overviews Kristel Chua

Craving Live Music? We Know a Spot

The bitter adage, “Seattle isn’t what it used to be,” recently increased in circulation after the shocking news of the Crocodile shuttering the doors of Here-After and Madame Lou’s. In their statement, the Crocodile asserted that they are committed to the longevity of their main stage—unfortunately, it comes at the cost of their smaller comedy and music venues.

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One Night, Many Stars: Gregory Awards Fill Town Hall Seattle with Camaraderie, Joy
Reviews Raegan Ballard-Gennrich Reviews Raegan Ballard-Gennrich

One Night, Many Stars: Gregory Awards Fill Town Hall Seattle with Camaraderie, Joy

On the evening of Monday October 27, actors, theater crew, directors, and producers (along with their families and friends) gathered at Town Hall Seattle for The Gregorys. Twenty-five years of celebration and recognition from and for the theatre community, the theme apt and invited dazzling outfits: One Night, Many Stars. 

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For Colored Boyz Beautifully Presents Black Men in Their Own Words and Worlds
Reviews Raegan Ballard-Gennrich Reviews Raegan Ballard-Gennrich

For Colored Boyz Beautifully Presents Black Men in Their Own Words and Worlds

On September 5, I attended the West Coast premiere of For Colored Boyz (On the Verge of a Nervous Breakdown/When Freedom Ain’t Enuff), written by Bryan-Keyth Wilson with direction by Lynette Winters and Ry Armstrong and choreography by Jimmy Shields. Brought to us by The Underground Theater, the play was described as a choreopoem, utilizing poetry, movement, and music to detail the unique intersectionality of being a queer Black man in America.

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Screwdriver Bar Honors Seattle’s Grunge History
Overviews Nisha Karanam Overviews Nisha Karanam

Screwdriver Bar Honors Seattle’s Grunge History

So what makes Screwdriver Bar unique?

The spot was particularly popular during the late 80s/early 90s “grunge” era. As a former recording studio and rehearsal space, it housed a plethora of different bands and singers. One of the most notable groups to rehearse here was Nirvana, during the period between their albums Bleach and Nevermind. The basement became a second home for the band and for other rising grunge acts, cementing its place as an early landmark of Seattle’s grunge movement.

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The Divided Line: Dunya [Part 1]
Columns Calista Robbins Columns Calista Robbins

The Divided Line: Dunya [Part 1]

The Old Man began to play. 

It was like no music she’d ever heard, tainted and raw and beautiful. 

When he finished the song, he stood, opened the window all the way, and held forth the instrument. “Do you want to try?” 

Five words which dictated the rest of Dunya’s life. 

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Ruby Mimosa’s Sound of Strip Lights Up Burlesque with Live Music
Reviews Andre Stackhouse Reviews Andre Stackhouse

Ruby Mimosa’s Sound of Strip Lights Up Burlesque with Live Music

For the uninitiated, the Triple Door is a longtime dinner-and-a-show venue in Seattle’s downtown that seats some 300, The Sound of Strip is an improv burlesque show set to the music of a live cover of The Cure, and Ruby Mimosa (aka The Effervescent EnterTEASER) is a local star noted as one of the most influential performers in the world by 21st Century Burlesque and the genius mind behind BurlesKaraoke.


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Here & Their a Necessarily Hilarious Addition to Pride Month’s Queer Stories
Reviews Parker Dean Reviews Parker Dean

Here & Their a Necessarily Hilarious Addition to Pride Month’s Queer Stories

Jasmine Joshua and Heather Ragusa’s musical Here & Their, starring Chloe Payne and Meg McLynn, is shaping up to be a new Queer musical classic! With top-tier vocals, witty lines, and songs that are sometimes hilarious and sometimes heart-wrenching, Here & Their brings a fresh perspective on Queer stories that many of us can relate to as well as creates levity during these dark times. This musical is joyous, hopeful, and feels like finally taking a deep breath after a tense and stressful start to 2025.

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Théque Support Keeps Disco Beats Alive at Queers’ Cherry
Reviews Gray Harrison Reviews Gray Harrison

Théque Support Keeps Disco Beats Alive at Queers’ Cherry

On a Saturday night in April in the Denny Triangle neighborhood, vintage glamour was present at the doors of Seattle’s Kremwerk complex. DJ duo Théque Support (composed of Hot N’ Spicy Disco and Moonlighter) were bringing their monthly evening of Disco Dust to Seattle, with a set from special guest Heidy P visiting from New York. Moonlighter and Hot N’ Spicy Disco are both from Detroit, the official birthplace of techno and a continuing hub of electronic music innovation. At the duo’s monthly disco parties, hosted in Kremwerk’s newest dance room, Cherry, they go old-school, dusting off vinyl records and using turntables.

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Parker’s Pages: Emerald Street
Columns Parker Dean Columns Parker Dean

Parker’s Pages: Emerald Street

If you’re anything like me, then you’re approaching Emerald Street knowing next to nothing about Hip Hop, but Abe has you covered. His approachable and straightforward explanations are easy to follow and even easier to enjoy. Starting us in Seattle’s Century District, we move through time and space, beginning at Seattle’s early Hip Hop days and arriving in the present where the community thrives.

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Iconic Convos: A Sound Garden
Columns Nicole Bearden Columns Nicole Bearden

Iconic Convos: A Sound Garden

Nicole Bearden (NB): In honor of Seattle’s Faux Spring weather last week, I decided it was time to have a confab with one of my personal favorite Seattle Icons: A Sound Garden. Located on the NOAA campus near Magnuson Park, between Piers 15 and 17 on Lake Washington, A Sound Garden reverberates with hauntingly atmospheric intonations as the wind blows through artist Douglas Hollis’ twelve, 21-foot high, steel tower sculptures. Sound Garden, I appreciate your presence today.

A Sound Garden (SG): a chorus of metallic hums breezing through the air We are delighted to converse with you.

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Barboza Continues New Sound Spotlighting with waltzerr
Reviews Gray Harrison Reviews Gray Harrison

Barboza Continues New Sound Spotlighting with waltzerr

Barboza in Capitol Hill is a long, rectangular underground bar. Seventies ballads are playing while pink and blue lines of light beam down from industrial rafters to the dance floor below. People sit tucked away at cozy circular booths lit by flickering red candles while others gather near the stage. In the crowd, I see the opening band milling about and chatting with audience members. This is the band waltzerr, and they are about to perform their opening set before a performance from Kellan, followed by the night’s headliner, Ayo Dot & the Uppercuts

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Juni One Set: Stunning Immersive Mythos with Myriad Arts
Reviews Calista Robbins Reviews Calista Robbins

Juni One Set: Stunning Immersive Mythos with Myriad Arts

It began like many myths do: in darkness. Thin beams of light panned over the space from the back of the house, curious and searching. Nishimura and Kohl descended upon the stage with headlamps strapped to their brows, exploring the space with a playful curiosity. Once they arrived, lighting by Jessica Trundy illuminated the set and established the world of the performance. Transparent projection screens stretched across three points of the set, two of which concealed platforms the performers utilized throughout the performance.

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