‘Sinners’ in the LGBTQIA+ Lens, Part 3: Agency
Sinners continuously highlights the power and danger in refusal. This is an underrated technique that women, marginalized races, the Queer and Trans community, and anyone else that the world actively rejects have to learn if they expect to survive—when all options have been systemically stripped from you.
When your voice is not only ignored, but silenced… There is power in saying “No.”
‘Sinners’ in the LGBTQIA+ Lens, Part 1: The Grift
Grifting, originally used to describe someone who swindles others, is now colloquially used to describe someone whose political, spiritual, or cultural views have shifted outwardly to appease those in power, even if they do not truly believe in those views. Often, these people are left-leaning to start, and ‘grift’ to right-wing political views as a way to gain favor with the current right-wing politicians in power. A grifter is usually someone who has positioned themselves as a strong voice in their community, as an activist, a social media icon, or some other persuasive voice.
‘Sinners’ in the LGBTQIA+ Lens: Introduction
Setting a record with 16 Oscar nominations, Sinners proves that there’s a reason why everyone is still talking about the film. In the current sociopolitical climate, only a year later, many deeply entrenched systemic inequities highlighted in the film are being exposed as foundational U.S. beliefs merely receded, biding their time in the shadows until they felt welcome again. But despite what conservative influencers and pundits would have you believe, the hate that they justify is neither superior, nor even the majority-held value system in this country.
Mornyng Knight Queers ECCC with ‘The Solo Swordfight’
The gender-defying scoundrel known as Mornyng Knight—a stage character who is an amalgamation of drag and Renaissance faire theatrics—has come to the Pacific Northwest. And they’re armed! Embodied by the Jeff-nominated actor, combat choreographer, and producer Chloe Baldwin, Mornyng Knight transforms your inner demons into physical objects (possibly balloons), then stabs them! In their own words, it’s a show of “epic poportions.”
Queers Confidently Flourish Amid ECCC’s Commercialism
ECCC was so very Queer this year. Not in a rainbow capitalism kind of way (at least not exclusively). There was an authenticity to this queerness that wasn’t planned or staged or made exclusively for profit. There were simply lots of gay-ass people around, stopping and gabbing and hyping each other up—even talking about their various artistic pursuits. This year, ECCC felt more like a public forum than it has in a long time. And that truly feels worth celebrating.
Haunted Burrow Books Cultivates Local Creative Literary Community
The inside of the shop is tranquil, and yes: there are a lot of horror books! And not just from big-name authors— Haunted Burrow Books makes an effort to lift up voices from smaller presses and places special emphasis on local authors and artists. But don’t worry: If horror isn’t your jam, there are other offerings as well, especially in mystery, sci-fi, and fantasy.
Parker’s Pages: Waxing Off
We are starting the year off with a great read by one of our very own Creatives here at the Evergreen Echo! Waxing Off by E.E.W. Christman is a Queer, urban fantasy novella with elements of horror, self-exploration, and romance. It is a quick and delightful read, pulling you right into the action. Oh, and did I mention there are werewolves and pecan pancakes?
Andrew Bell on Bleeding, Horror, and Seattle’s Filmmaking Scene
Andrew Bell is a Seattle-based filmmaker whose feature debut, Bleeding (2024), has received attention from the broader horror community in the past year. The film follows teenage cousins Eric (John R. Howley) and Sean (Jasper Jones), in a world where vampire blood is a highly addictive drug. While on the run from Sean’s dealer, they run into a sleeping teenager (Tori Wong) locked in a house, and things spiral into a morbid nightmare. Bleeding tackles intense real-world problems while maintaining the heightened fantasy of horror.
Under the Covers
You wake up in hazy, hot darkness beneath your comforter. There is a sound coming from somewhere in your room. It is the sound of a foot, shifting positions. It is soft, but heavy, as if someone tall is trying not to make any noise. You go through your list. Your roommate. But he is gone until Tuesday, and it’s Sunday. And why would he come into your room unless it was an emergency. Your girlfriend, but you saw her last night at her place and then left. Sometimes she comes here to shower after the gym, which could be it. Very quietly, you turn your wrist towards your face. It glows green, illuminating the time: 3:32 a.m. So yeah. Your girlfriend would not be coming from the gym at this time.
