‘Sinners’ in the LGBTQIA+ Lens, Part 2: Protection of Youth
With Sammie, one of the most notable themes in Sinners—the protection of youth—is carried through the film.
‘Sinners’ in the LGBTQIA+ Lens, Part 1: The Grift
Grifting, originally used to describe someone who swindles others, is now colloquially used to describe someone whose political, spiritual, or cultural views have shifted outwardly to appease those in power, even if they do not truly believe in those views. Often, these people are left-leaning to start, and ‘grift’ to right-wing political views as a way to gain favor with the current right-wing politicians in power. A grifter is usually someone who has positioned themselves as a strong voice in their community, as an activist, a social media icon, or some other persuasive voice.
‘Sinners’ in the LGBTQIA+ Lens: Introduction
Setting a record with 16 Oscar nominations, Sinners proves that there’s a reason why everyone is still talking about the film. In the current sociopolitical climate, only a year later, many deeply entrenched systemic inequities highlighted in the film are being exposed as foundational U.S. beliefs merely receded, biding their time in the shadows until they felt welcome again. But despite what conservative influencers and pundits would have you believe, the hate that they justify is neither superior, nor even the majority-held value system in this country.
Mornyng Knight Queers ECCC with ‘The Solo Swordfight’
The gender-defying scoundrel known as Mornyng Knight—a stage character who is an amalgamation of drag and Renaissance faire theatrics—has come to the Pacific Northwest. And they’re armed! Embodied by the Jeff-nominated actor, combat choreographer, and producer Chloe Baldwin, Mornyng Knight transforms your inner demons into physical objects (possibly balloons), then stabs them! In their own words, it’s a show of “epic poportions.”
Queers Confidently Flourish Amid ECCC’s Commercialism
ECCC was so very Queer this year. Not in a rainbow capitalism kind of way (at least not exclusively). There was an authenticity to this queerness that wasn’t planned or staged or made exclusively for profit. There were simply lots of gay-ass people around, stopping and gabbing and hyping each other up—even talking about their various artistic pursuits. This year, ECCC felt more like a public forum than it has in a long time. And that truly feels worth celebrating.
Age Verification HB-2112: Who Will it Truly Protect?
HB-2112, or the “Keep Our Children Safe Act,” is currently in committee in the Washington State House of Representatives. Its stated mission is “establishing an age minimum to access certain adult content online.” This argument certainly makes a lot of sense in the abstract. After all, we have age restrictions for adult stores and entertainment venues. Still, it is less the intent and more the execution of these laws that makes them so dangerous.
Queer Up-and-Comer Alise Garcia Chats Lezztalkaboutit’s Accessible Events
Back in November, I had the privilege of covering the Performative Femme Contest hosted by Alise Garcia of Lezztalkaboutit. It was a stunning display of Queer community. Recently, Alise and I met up for coffee to discuss the purpose of Lezztalkaboutit and what she has in store for the future. We also discussed the importance of community and what it takes to build one.
Crow’s Nest Comics Establishes Inclusive Shop in Central District
Crow’s Nest Comics, formerly the beloved Outsider Comics shop of Fremont, has made the move to a much cozier location in Central District, just a tiny walk from I-90 (or the 7 or 554 bus will get you just a block away). Though the shop has moved and changed names, they are still offering their warm, inviting atmosphere, stunning collection, and commitment to accessibility, all from a better location.
STUFF Kicked Off with Hilarious, Mundane, Relatable Trans Moments
Seattle Trans Underground Film Festival (STUFF) held its first viewings on October 16, 2025, at the lovely Northwest Film Forum. I had the honor to snuggle into a cozy theatre amongst a host of creative Queer and Trans individuals to watch the festival’s first double feature, CW’s Laughtrack and Henry Hanson’s Dog Movie. There were many laughs and a few tears shed, especially at the films’ closes, where both received minutes-long applause.
Dark and Tender: Healing Black Men with The CUT Project
Aaron Johnson (he/him) is on a mission, the type of undertaking that comes to you through lived experiences. Ben Wilson (he/him), the producer of and participant in the short film Dark and Tender, invited me to attend the film’s screening at the Seattle Black Film Festival. The film, which aims to be a larger documentary, tells the story of the CUT Project.
