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Calista Robbins 6/17/26 Calista Robbins 6/17/26

Don’t Sleep on Dacha’s ‘Dream, Carl, Dream’

Part improvisation, part structured pathways, and part chaotic fun, the show challenged audience members to think outside the box and get creative, lest Carl’s subconscious overwhelm him.

Calista Robbins 3/31/26 Calista Robbins 3/31/26

Artistic Freedom to Object Given Space at Flinch/Punch

These spaces—these great halls of reflection—are necessities in our communities, especially in times of war, oppression, and authoritarianism. Annex Theatre, Seattle’s oldest fringe theater, saw this need growing as tensions rose amidst the 2016 election. So they developed a resistance program called Flinch/Punch.

Gray Harrison and Calista Robbins 2/24/26 Gray Harrison and Calista Robbins 2/24/26

‘Ashes, Ashes’ Snapshots Family, Grief, Humor in Kenmore

Ashes, Ashes, We All Fall Down, written by Gretchen Douma, premiered February 5-8 at As If Theatre. The play, with its familial themes and living room-confined location suited the small, homey venue well. Staff greeted guests with warmth, ensuring all felt welcomed into the budding Kenmore arts community. Upon entering the Kenmore Community Club, a donation-based concession stand sold fresh, homemade cookies which added a unique layer of care, commitment, and connection to the performance and the theater space that often goes unfelt by patrons at larger venues.

Gray Harrison 12/18/25 Gray Harrison 12/18/25

Life on the Moon Powerfully Illuminates Familial, Autistic Expression

On December 14, I was lucky enough to attend the PNW premiere of Life on the Moon, a play written by Anna Tatelman, directed by Jeremy Radick, and produced by Baker Theater Workshop. Hosted at ReAct Theatre, Life on the Moon is a family drama that centers on the relationship between siblings Piper, an 18-year-old with autism, and her older brother Spencer, who has just returned home from the army for the holidays.

Calista Robbins 10/23/25 Calista Robbins 10/23/25

And the [Gregory] Nominees Are…

With less than one week until the much awaited Gregory Awards, there is much yet to do. Fashion choices must be decided, scenes rehearsed, and speeches prepared. While all that is happening, let’s take a look at who’s going to be there and how their stars rose.

Mary Adner 10/19/25 Mary Adner 10/19/25

Announcing: The Echo is The Gregorys’ Media Sponsor!

This past year has been a time of wonderfully huge growth for our li’l publication that could. We’ve taken our first steps from the online woods into the public eye around town, and we couldn’t be happier with our trajectory as the new year approaches. We’re immensely grateful to everyone who’s come along with us on the journey and helped us reveal our creative natures via support and readership.
As such, it is with great pride that we announce that The Echo is the media sponsor for The Gregorys!

Calista Robbins 10/19/25 Calista Robbins 10/19/25

Set the Stage: The Gregorys’ Big Comeback at Town Hall Seattle

Tucked in the jagged seam between the end of one theatrical season and the start of another sits the Gregory Awards: a chance for the artists and theater companies of the region to be recognized and celebrated for their achievements and outstanding performances throughout the year.

Calista Robbins 8/27/25 Calista Robbins 8/27/25

Witness Immersive Experiments with Seattle Audiences in The Double

Witness Immersive is a New York and London based company which has spread its innovative creativity to various cities around the country. Its second show in Seattle, The Double, performed by a stellar local cast, brought an interdisciplinary performance medium to the city which has thus far gone mostly untapped—immersive dance theatre.