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Mary Adner 5/14/26 Mary Adner 5/14/26

Beyond Protests, Humanize MENA Lives with Intentional Arts + Culture

Across the street from the (in)famous Rickshaw Lounge lies the unassuming 1 Million Cafe. I’ve lived in the area for over a decade and never knew it was Yemeni and that their chai is homebrewed with love; my iced version with oat milk presented a homey, unadulterated flavor unlike any chai I’ve had in Seattle.

How many of us walk by establishments owned by Middle Eastern people and never try them? Is it fear? Racism? Flavors unknown?

Calista Robbins 5/2/26 Calista Robbins 5/2/26

The Divided Line: Juno [Part 1]

The Divided Line RETURNS.

It had come on suddenly, the sky cracking open with a bolt of electricity and a sharp clap of thunder.

And how fitting a night for it to strike. Nature’s encore of the bombs that’d burst mid-evening. Now the rain smothered the smoking debris and washed clean the bloodied rubble.

Juno tapped the screen of her phone to wake it, heart pounding with nerve-addled hope in the fleeting moments before it illuminated. Hope that Atticus’ name might be on the screen with two words trailing it.

Calista Robbins 3/31/26 Calista Robbins 3/31/26

Artistic Freedom to Object Given Space at Flinch/Punch

These spaces—these great halls of reflection—are necessities in our communities, especially in times of war, oppression, and authoritarianism. Annex Theatre, Seattle’s oldest fringe theater, saw this need growing as tensions rose amidst the 2016 election. So they developed a resistance program called Flinch/Punch.

Parker Dean 2/20/26 Parker Dean 2/20/26

Trans* Talk: SweeThe4rTs Art Show

On February 13, Common Objects opened its doors for SweeThe4rts, a T4T art show and market, created by the Trans community, for the Trans community to share art centered on the relationships between Trans folks.

Calista Robbins 12/5/25 Calista Robbins 12/5/25

The Divided Line: Caleb [Part 1]

Drums rolled from the brick alleyways and converged upon the square, each musician followed by a small mass of people. They carried things with them: Bits of furniture and fragments of wood. Dresser drawers and desk tops. One group hoisted a billboard overhead from one of the Upper City’s tech institutions.

Vera McLaughlin 11/18/25 Vera McLaughlin 11/18/25

Greenwood Artists Fight Fascism with Flair and Community Support

Corey Skullcrusher, an artist with the Waiting Room, appeared in full aristocratic flamboyance to accompany their “monstrosity.” From dress to wig to bloody neck, Skullcrusher embodied beheaded nobility. The presence of such elegance brought forward a message of resistance. Skullcrusher explained that the guillotine was historically the most humane way to oust those who were abusing power. While the golden cardboard guillotine may be a bit campy and cheeky, “it’s very specifically a message.”