![The Divided Line: Caleb [Part 1]](https://images.squarespace-cdn.com/content/v1/65456cf1d440cc19dd37c744/2ffbf9f8-6e52-46fa-94c9-7a0eeecc9b13/Umut_Sarialan+Pexels+Cropped+-+Calista+Robbins.jpg)
The Divided Line: Caleb [Part 1]
Drums rolled from the brick alleyways and converged upon the square, each musician followed by a small mass of people. They carried things with them: Bits of furniture and fragments of wood. Dresser drawers and desk tops. One group hoisted a billboard overhead from one of the Upper City’s tech institutions.
Greenwood Artists Fight Fascism with Flair and Community Support
Corey Skullcrusher, an artist with the Waiting Room, appeared in full aristocratic flamboyance to accompany their “monstrosity.” From dress to wig to bloody neck, Skullcrusher embodied beheaded nobility. The presence of such elegance brought forward a message of resistance. Skullcrusher explained that the guillotine was historically the most humane way to oust those who were abusing power. While the golden cardboard guillotine may be a bit campy and cheeky, “it’s very specifically a message.”
