Teatro ZinZanni Lowers Final Curtain in Seattle
A spiegeltent crafted of wood, canvas, and velvet, adorned with stained glass, vast mirrors, and regal chandeliers overtook an empty lot on Mercer Street. An arching sign marked the threshold of the new world of Teatro ZinZanni, welcoming guests to their first show, Love Chaos and Dinner, which featured a unique cast of acrobats, clowns, and various other talents. What was meant to be an 11-week run sprouted roots and secured ZinZanni as Seattle’s staple circus destination for nearly three decades.
As If Theatre Debuts New Works Program with ‘Ashes, Ashes, We All Fall Down’
Described as a “dramedy about what happens when the skeletons in the closet meet the ashes in the jar,” Ashes, Ashes is Gretchen’s first full-length play produced for the stage. The playwright has over thirty years of experience as an actor, ten years of writing as a theater critic, and more recently joined the storytelling community à la The Moth. She first began developing the idea for the play in 2017 while taking a playwriting class with Rebecca Touriño Collinsworth, founder of Parley Productions.
‘SHe Said’ Delivers Rockin’ Story of Relationship Evolution
On January 15, the Intiman Theatre in Capitol Hill debuted SHe Said, a musical inspired by Trans love, resistance, and a whole lot of rock ‘n roll. Jen Ayers, along with a talented backing band, tells the true story of her partner coming out as transgender and the whirlwind of emotions that ensued. SHe Said is a heartfelt musical, touching on every feeling, heartbreak, and swirling thoughts that Jen experienced, along with the love for her partner that kept her aloft.
Queerly Beloved: We are Gathered Here to Laugh at This Thing Called Life
As a cultured Queer, I only recently learned straight people also do improv. Jet City Improv’s monthly Queerly Beloved, quite obviously, is not one of those instances.
‘Lear Alone’ and ‘Walking on a Paper Moon’ Lead Baker Theater Workshop’s Winter Lineup
Last month, I was fortunate to attend the Pacific Northwest premiere of Anna Tatelman’s play Life on the Moon, produced by Baker Theater Workshop and performed at ReAct Theatre. The play examined the challenges a family experiences when trying to authentically communicate their feelings with each other over the holidays. Furthering on the theme of familial complexity, Baker Theater Workshop will present two plays together from January 10-19 which dig into family dynamics: Lear (alone), and Walking on a Paper Moon.
Life on the Moon Powerfully Illuminates Familial, Autistic Expression
On December 14, I was lucky enough to attend the PNW premiere of Life on the Moon, a play written by Anna Tatelman, directed by Jeremy Radick, and produced by Baker Theater Workshop. Hosted at ReAct Theatre, Life on the Moon is a family drama that centers on the relationship between siblings Piper, an 18-year-old with autism, and her older brother Spencer, who has just returned home from the army for the holidays.
Nebula’s Portals to Immersive Experiences Rise from Cafe Nordo’s Remnants
In the winter of 2022, Cafe Nordo, a company who created beloved immersive theater and dining experiences within Pioneer Square’s Nord Alley, closed its doors and set its gaze to a dream of the future. After thirty original productions hosted in its two venues, the Culinarium and the Knife Room, the company decided to seek out a larger, more accessible home to produce and sustain boundless creativity. As they searched for real estate with sufficient accommodations, the dream world began to take shape. A rift, so to say, opened beneath Cafe Nordo, and out emerged Nebula.
Craving Live Music? We Know a Spot
The bitter adage, “Seattle isn’t what it used to be,” recently increased in circulation after the shocking news of the Crocodile shuttering the doors of Here-After and Madame Lou’s. In their statement, the Crocodile asserted that they are committed to the longevity of their main stage—unfortunately, it comes at the cost of their smaller comedy and music venues.
Impossible Maps Questions Life and Grief Through Dance
Impossible Maps, a dance concert choreographed by C. Asa Call and performed at Yaw Theater, explored the ever-agonizing experience of grief and how, despite its wretched terrain, it can and must be navigated. Under a mythic lens, it interwove expressions of humanity’s despair with the mourning of Earth’s seasonal cyclical deaths and its inevitable final destruction.
And the 2025 Gregory Award Winners Are…
October 27, 2025, marked the 25th annual Gregory Awards held by Theatre Puget Sound. Performers, designers, and theatre makers and lovers all filed into Town Hall Seattle decked in their finest fashion for a night to celebrate the artistry and creation of the performing arts. After an hour to mingle, socialize, and give toast to the year’s winner of the Gregory A. Falls Sustained Achievement Award (John Bradshaw), guests gathered in the pews of the Great Hall for the start of the ceremony.
One Night, Many Stars: Gregory Awards Fill Town Hall Seattle with Camaraderie, Joy
On the evening of Monday October 27, actors, theater crew, directors, and producers (along with their families and friends) gathered at Town Hall Seattle for The Gregorys. Twenty-five years of celebration and recognition from and for the theatre community, the theme apt and invited dazzling outfits: One Night, Many Stars.
The Little Foxes: A Haunting Examination of Fractured Community
October 16 was Opening Night of The Little Foxes at the Erickson Theatre in Capitol Hill. Directed by Ryan Guzzo Purcell, this fall show is a collaboration between Intiman Theatre and The Feast. The play runs through November 2. Written by Lillian Hellman in 1939, The Little Foxes is set in the early 1900s, and follows a fractured southern family at war with each other over money. With a Gothic sensibility and a satirical, sharp wit, the play feels very contemporary and relevant to reality now, despite approaching a century in age.
![And the [Gregory] Nominees Are…](https://images.squarespace-cdn.com/content/v1/65456cf1d440cc19dd37c744/1761266912415-HTITUANIDDFQJQJ4OJ4R/2017%2BGregory%2BAwards%2BJustin%2BHuertas%2Band%2BSara%2BPorkalob%2Bhosting%2B-%2BCalista%2BRobbins.png)
And the [Gregory] Nominees Are…
With less than one week until the much awaited Gregory Awards, there is much yet to do. Fashion choices must be decided, scenes rehearsed, and speeches prepared. While all that is happening, let’s take a look at who’s going to be there and how their stars rose.
Announcing: The Echo is The Gregorys’ Media Sponsor!
This past year has been a time of wonderfully huge growth for our li’l publication that could. We’ve taken our first steps from the online woods into the public eye around town, and we couldn’t be happier with our trajectory as the new year approaches. We’re immensely grateful to everyone who’s come along with us on the journey and helped us reveal our creative natures via support and readership.
As such, it is with great pride that we announce that The Echo is the media sponsor for The Gregorys!
Set the Stage: The Gregorys’ Big Comeback at Town Hall Seattle
Tucked in the jagged seam between the end of one theatrical season and the start of another sits the Gregory Awards: a chance for the artists and theater companies of the region to be recognized and celebrated for their achievements and outstanding performances throughout the year.
On the Boards’ What Is War Shows Us What Our Televisions Do Not
What Is War, devised by Eiko Otake and Wen Hui, told a gut-wrenching story of the sufferings of women within war-torn nations, one which has been endured by generation after generation since before antiquity: that of brutality, sexualization, and objectification.
For Colored Boyz Beautifully Presents Black Men in Their Own Words and Worlds
On September 5, I attended the West Coast premiere of For Colored Boyz (On the Verge of a Nervous Breakdown/When Freedom Ain’t Enuff), written by Bryan-Keyth Wilson with direction by Lynette Winters and Ry Armstrong and choreography by Jimmy Shields. Brought to us by The Underground Theater, the play was described as a choreopoem, utilizing poetry, movement, and music to detail the unique intersectionality of being a queer Black man in America.
Masterful Morgue Anne Spills Rendezvous Tea, Urges Support for Displaced Performers
Over the past decade, Morgue Anne has forged a creative home at The Rendezvous, a historic venue in the heart of Belltown, where, until a few weeks ago, you could see everything from live music, to comedy shows, public figure drawing sessions, burlesque performances, and beyond. “I’ve been working at the Rendezvous in one way or another for the last ten years or so. I’ve been the events and booking director for the past three years,” she said. But her experience goes beyond just booking the shows:
Witness Immersive Experiments with Seattle Audiences in The Double
Witness Immersive is a New York and London based company which has spread its innovative creativity to various cities around the country. Its second show in Seattle, The Double, performed by a stellar local cast, brought an interdisciplinary performance medium to the city which has thus far gone mostly untapped—immersive dance theatre.
The Grown-Ups Whimsically Lacks Production Maturity
In all our lives, there comes a frightful day when catastrophe strikes. We look around the room to find support from the nearest adult or superior, as we have always done, but when we do, we realize with great suddenness: Oh no. We are the adults in the room. The Grown-Ups, written by Simon Henriquez and Skylar Fox and originally devised by Nightdrive, took its humble place as Dacha Theatre’s third mainstage show of their season. It toured parks and campfires in and around the Seattle area, bringing its nostalgic story to a widespread public.
