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The Divided Line: Selah [Part 1]
Those enemies, Selah and his colleagues had learned of late, included them too. They’d hauled fifty workers off the grounds a week or so ago, shoved them in the back of black armored vans, and shipped them off to that prison across the sound. It’d been such a grand spectacle. A warning, really, to any others who thought to question the corpocratic reign.
Parker’s Pages: Dungeon Crawler Carl
Like clockwork, whenever I share what I do here at the Echo, specifically with this column, I am told that I must read and review Dungeon Crawler Carl by Matt Dinniman, a Puget Sound native and fantasy and sci-fi novelist. I must admit, it was the title that most intrigued me. I’d certainly played my own dungeon crawler once or twice, and I liked that there seemed to be humor and absurdism baked right into the title. So, after a long wait, I’m happy to announce I have finally cracked open the first book of this 8-book series (with two more on the way), and I am obsessed.
The Divided Line: Juno [Part 1]
The Divided Line RETURNS.
It had come on suddenly, the sky cracking open with a bolt of electricity and a sharp clap of thunder.
And how fitting a night for it to strike. Nature’s encore of the bombs that’d burst mid-evening. Now the rain smothered the smoking debris and washed clean the bloodied rubble.
Juno tapped the screen of her phone to wake it, heart pounding with nerve-addled hope in the fleeting moments before it illuminated. Hope that Atticus’ name might be on the screen with two words trailing it.
The Divided Line: Ivy [Part 2]
Three prisoners staggered out of the truck: two men and a woman. The men knew each other. Their hands grazed and their gazes met. The woman stood alone, clinging to the broken neck of a violin. They were all unchained, but fear and shock were as good a shackle as any. Until it was disrupted, at least.
Iconic Convos: Saint Rat
Nicole Bearden (NB): You’ll find our next guest nestled in an arched niche of the Cal Anderson Gatehouse. Saint Rat is the talk of the town this summer—Hot Rat Summer, that is. Welcome to Iconic Convos, Saint Rat. I’m thrilled to finally connect.
Saint Rat (SR): Blessings of the Season, my child.
NB: You are having a bit of a moment. How are you dealing with your newfound notoriety?
The Divided Line: Ivy [Part 1]
Ivy watched as the evening workers and night dwellers shuffled down the sidewalks, heads bowed against the omniscient glow of the streetlights that’d borne witness to their savage furies.
Warning, the voice began again.
Ivy lifted a cigarette to her lips, inhaled, let the smoke sit and coil through her lungs like a breath of life before she blew it through the crack of her propped window. Only the stub of the cigarette remained, its embers hot against her fingers. But it was good for a few more puffs at least, and god did she need it.
The Divided Line: Leonna [Part 2]
Firelight flickered on the walls, and the crackling grew into a roar. In the amber glow, a face watched her pass, little eyes staring out from an old photograph of her daughter.
Ivy was twelve when Leonna last saw her. The girl was Leonna’s greatest pride. The one creation of hers whose heart seemed truly pure. She hoped Ivy had remained that way, indelible and defiant against the cruelties of the world, never letting them break her.
Iconic Convos: Afterglow Vista
A day trip out of Seattle up to San Juan Island, near the Canadian border, will take you to one of my favorite Washington icons. At Roche Harbor, a short walk through a wooded cemetery more than a century old will lead to a clearing, in the center of which rests a large stone rotunda. Afterglow Vista (previously known as McMillin Memorial Mausoleum) seems otherworldly—a classical, open-air rotunda containing Masonic symbols, including a round stone table and chairs (in which the ashes of the McMillin family, along with those of John S. McMillin’s secretary Adah Beeny are interred) in the center of a Pacific Northwest island forest.
The Divided Line: Leonna [Part 1]
When Leonna was six, wildfires turned the sky a wrathful shade of red.
The sun seemed to be the glowing eye of a giant beast veiled within the smoky horizon. She feared it would consume the world. That morning, her mother had soothed her despondent cries and promised it would be all right, but Leonna never quite forgot the dreadful memory of that burning sky.
Now, for the first time in forty years, the fury of those flames returned.
Iconic Convos: Erasmus the Rooftop Dragon
If you spend time in historical Downtown Renton, you will likely run across our next guest—just look up. Erasmus the Rooftop Dragon landed atop a crooked little building in 2019. Since then, the city of Renton has embraced Erasmus, holding the annual Dragon’s Landing festival every April to commemorate his arrival.
Nicole Bearden (NB): I’m excited to chat today, Erasmus. I’ve never had the pleasure of speaking with a dragon before.
Erasmus the Rooftop Dragon (ERD): The honor is yours, I’m sure.
The Divided Line: Bastian [Part 2]
The barkeep opened a side door and waved them in. There, in the gilded haze of flame-lit lamps, artists gathered. Poets, painters, sculptors, musicians, dancers. Artists of all sorts came to the garden to talk, create, and workshop. It was a safe place for unfettered expression. One of the last of its kind.
Iconic Convos: The Wall of Death
Nicole Bearden (NB): If you end up in the U District, on the Burke-Gilman Trail, you might run across our next guest, one of Seattle’s oddest icons: The Wall of Death. I appreciate you taking time to speak with us today. I must say, your appearance is pretty intimidating, Wall, not to mention your name. What has your experience on the Burke-Gilman been like?
Iconic Convos: Hat ‘n Boots
On my way back from my short hiatus, I ran into our next Iconic Convos interviewees, Hat n’ Boots at Oxbow Park in Georgetown. At 22-feet high (Boots) and 44-feet wide (Hat), these two are hard to ignore.
The Divided Line: Bastian [Part 1]
It began slowly—the plague, the greed, the riots. Revolutionaries rose up behind symbols, murals, and songs, while the masses were fed machinery and religion. In the wake of the destruction, politicians deemed art a dangerous thing—a worthless thing—and the masses agreed. They took away the paint, the books, and the instruments. But they could not wholly silence the artists. These are the stories they left behind.
The Divided Line: Elias [Part 2]
The setting sun outside steeped the city in gold, and a pleasant breeze carried the scent of budding flowers. He remembered the open fields of Anna’s family home, breaths of summer wind rustling the curtains as Anna painted by the window.
He never should have brought her to the city.
The Divided Line: Elias [Part 1]
It began slowly—the plague, the greed, the riots. Revolutionaries rose up behind symbols, murals, and songs, while the masses were fed machinery and religion. In the wake of the destruction, politicians deemed art a dangerous thing—a worthless thing—and the masses agreed. They took away the paint, the books, and the instruments. But they could not wholly silence the artists. These are the stories they left behind.
Iconic Convos: A Sound Garden
Nicole Bearden (NB): In honor of Seattle’s Faux Spring weather last week, I decided it was time to have a confab with one of my personal favorite Seattle Icons: A Sound Garden. Located on the NOAA campus near Magnuson Park, between Piers 15 and 17 on Lake Washington, A Sound Garden reverberates with hauntingly atmospheric intonations as the wind blows through artist Douglas Hollis’ twelve, 21-foot high, steel tower sculptures. Sound Garden, I appreciate your presence today.
A Sound Garden (SG): a chorus of metallic hums breezing through the air We are delighted to converse with you.
The Divided Line: Vero [Part 2]
It began slowly—the plague, the greed, the riots. Revolutionaries rose up behind symbols, murals, and songs, while the masses were fed machinery and religion. In the wake of the destruction, politicians deemed art a dangerous thing—a worthless thing—and the masses agreed. They took away the paint, the books, and the instruments. But they could not wholly silence the artists. These are the stories they left behind.
Iconic Convos: Fremont Troll
Nicole Bearden (NB): Hello, and welcome to another Iconic Convo with Seattle’s most recognizable icons. Today we are speaking with the Fremont Troll. We appreciate you spending time with us today, Fremont Troll.
Fremont Troll (FT): Grunts, and nods slowly as dust drifts from his head to float through the air
NB: Now, you’ve been around since 1990. How have you noticed that the city has changed over the past 35 years?