When Leonna was six, wildfires turned the sky a wrathful shade of red. 

The sun seemed to be the glowing eye of a giant beast veiled within the smoky horizon. She feared it would consume the world. That morning, her mother had soothed her despondent cries and promised it would be all right, but Leonna never quite forgot the dreadful memory of that burning sky. 

Now, for the first time in forty years, the fury of those flames returned.

If you spend time in historical Downtown Renton, you will likely run across our next guest—just look up. Erasmus the Rooftop Dragon landed atop a crooked little building in 2019. Since then, the city of Renton has embraced Erasmus, holding the annual Dragon’s Landing festival every April to commemorate his arrival.  

Nicole Bearden (NB): I’m excited to chat today, Erasmus. I’ve never had the pleasure of speaking with a dragon before.  

Erasmus the Rooftop Dragon (ERD): The honor is yours, I’m sure.

Now known as SIFF Uptown, the theater is a hub of great cinema both new and classic. Since SIFF took over, the space has been updated with great seating, modern sound systems, and digital projection. The work that SIFF has put in has paid off, creating a space for movie lovers around the city to come and enjoy the magic of the big screen.

Let me start by saying that 2025 is STILL the year of the bird! And with a world rife with bad news, it’s a great time to stretch your limbs, put down the phone, and get outside. There’s so much to learn about the world and about our bird friends!

I’ll start you off with some basic bird facts that you can whip out at your next Birdwatching hang out.

Celebrating Asian American and Pacific Islander Heritage month, Heidi Grace Acuña presented their debut fashion show with Living Waling Waling, held early May 2025. Acuña partnered with Seattle Center and was selected to represent and uplift  emerging and established local AAPI artists. Acuña is a multidisciplinary artist who has appeared on TV, galleries across the West Coast, and was a finalist at Fruit Bowl. Born in Washington and raised in Hawai’i, Acuña moved from sculpture to fashion and brought a colorful bouquet of upcycled and sustainable clothing through their designs. 

We come to experience cinema at its purest, at its strangest, and at its least glamorous. SIFF celebrates the highs, lows, and whoas of what the world of film has to offer. It can be a lot to take in, but there are ways to ensure your experience is the best it can be. As a person who has been to a couple of decades’ worth of SIFFs, I want to pass on what I’ve learned to make the fest the best experience for the novice and the expert, the casual movie fan and the diehard cinephile. Let's dive in to make the most of the best ten days of film in Seattle!

With summer only a couple of months away, I found Oliver’s poem “While I Am Writing a Poem to Celebrate Summer, the Meadowlark Begins to Sing” ideal for discussion this week. From her book Owls and Other Fantasies, published in 2003, Oliver’s collection takes a deep dive into the world of birds and their hidden messages for humankind. The poem is a prime reminder of Oliver’s remarkable skills as a wordsmith and eye for conjuring a secluded snapshot of a nature landscape.

The barkeep opened a side door and waved them in. There, in the gilded haze of flame-lit lamps, artists gathered. Poets, painters, sculptors, musicians, dancers. Artists of all sorts came to the garden to talk, create, and workshop. It was a safe place for unfettered expression. One of the last of its kind.

On a Saturday night in April in the Denny Triangle neighborhood, vintage glamour was present at the doors of Seattle’s Kremwerk complex. DJ duo Théque Support (composed of Hot N’ Spicy Disco and Moonlighter) were bringing their monthly evening of Disco Dust to Seattle, with a set from special guest Heidy P visiting from New York. Moonlighter and Hot N’ Spicy Disco are both from Detroit, the official birthplace of techno and a continuing hub of electronic music innovation. At the duo’s monthly disco parties, hosted in Kremwerk’s newest dance room, Cherry, they go old-school, dusting off vinyl records and using turntables.

If you’re anything like me, then you’re approaching Emerald Street knowing next to nothing about Hip Hop, but Abe has you covered. His approachable and straightforward explanations are easy to follow and even easier to enjoy. Starting us in Seattle’s Century District, we move through time and space, beginning at Seattle’s early Hip Hop days and arriving in the present where the community thrives.

The 2025 Cascadia Film Festival was a weekend full of inspiring women directors, producers, and their amazing films. From stories of scrappy heroines and documentaries rich in wisdom, the festival brought audiences from across Washington and farther. The weekend kicked off with a screening and talkback from honored guest Yvonne Russo. Russo is a director and producer known for her work in Vow of Silence: The Assassination of Annie Mae (2024), The Heart Stays (2024), and Viva Verdi (2024) the film that opened the festival as a Pacific Northwest premiere. 

Created by Eva Anderson, Derek Bishé, Mali Elfman, Eric Hoff, Tommy Honton, and E3W Productions (Aaron Keeling, Austin Keeling, Natalie Jones), AOTW is a completely new flavor of production. The focus of AOTW is to create a deeper relationship between art and its participants, and the entrancing world of The Shape of the Night is completely enrapturing, entangling you in the story, performance, and atmosphere. The Shape of the Night is an art gallery, an escape room, a drag show, a play, and a magical realm.

Although caring for the planet is an action that should be taken every single day, engagement tends to increase during the month of April. Commonly referred to as Earth Month, people like Naomi Spinak put forth extra effort during this time to raise awareness about the importance of sustainability in their community.
If you live on or near Bainbridge Island, chances are you may be familiar with some of her work.She helped launch the annual Trashion Show with Sustainable Bainbridge nearly 10 years ago. 

The term "technical books" makes it sound like there are a bunch of stuffed shirts walking around with large impenetrable tomes, but Ada’s caters to far more accessible scientific, science fiction, and fantasy books. When you browse the shelves, you find that science is a broad category covering the hard sciences like biology and chemistry, the soft sciences like psychology and sociology, and the scientific arts like cooking and architecture.

Elliott Bay is a go-to spot for me. It helps that it is near my home, but it is much more than solely convenience based. The layout and the books they spotlight really draw me in, no matter what the genre is. I find myself gravitating towards genres I’m usually not interested in due to the enticing books they have on display. The staff are helpful without being overbearing, and the attached cafe serves as a nice incentive to stay a bit longer, order food, and relax with a good book.

my heart’s passing: an original poem by Maxwell Meier

A three-part poem from a Black woman in America:

On a Friday night in Capitol Hill, a crowd of eager theater-goers entered through the unassuming front doors of Seattle Open Arts Place to watch the debut of a new theater company. Well Behaved Women and Co were putting on their inaugural production, In the Next Room (or The Vibrator Play).

Nicole Bearden (NB): If you end up in the U District, on the Burke-Gilman Trail, you might run across our next guest, one of Seattle’s oddest icons: The Wall of Death. I appreciate you taking time to speak with us today. I must say, your appearance is pretty intimidating, Wall, not to mention your name. What has your experience on the Burke-Gilman been like?

So naturally, when Dacha Theatre, who so often defies the status quo of theatre, took on Kate Hamill’s Emma, they began the show by having audience members pluck up the women’s etiquette guide pages—which had been left on every seat—and shred them, stating they were throwing etiquette out the door.

Audience members held onto these shreds and threw them when cued. The pieces fluttered down as white confetti upon the jubilant opening wedding scene of Mrs. Weston (Kayla Walker), and Mr. Weston (Van Lang Pham).