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Zach Youngs 10/13/26 Zach Youngs 10/13/26

Sound Cinema: Tasveer Film Center

There is a deep importance to a theater that creates a community out of the films that they show. I was the first to arrive at my screening, but as the theater filled up around me, there were many people who did not fit the art house mold. Theaters like Tasveer encourage patrons who are after some magic and a story they can engage with on more than an entertainment level.

Zach Youngs 9/8/26 Zach Youngs 9/8/26

Sound Cinema: Roxy Theatre

The Roxy is in an unassuming part of the building landscape, but as you turn onto 4th St. you can see the neon blade at the top of the building cutting into the sky and marking the theater's place like a beacon calling all movie lovers to it.

Zach Youngs 5/11/26 Zach Youngs 5/11/26

SIFF 2026 Roundup: Zach’s Don’t-Sleep-on-These Picks

I anticipated many films this year whose descriptions piqued my interest. These films satisfied me for the most part, but there were a handful of films I did not really expect to knock me back in my seat. It’s rare to capture a film's essence in a descriptive paragraph or even a trailer. It is in the mind of the watcher that a film becomes a more than pleasant surprise or, even better, truly great. The following films surprised and delighted me.

Zach Youngs 1/13/26 Zach Youngs 1/13/26

Sound Cinema: The Beacon

As the youngest theater to be featured in Sound Cinema, The Beacon emerged as a wonderful, ethereal being from beyond known space and onto our plane of existence in 2019. This space is a movie palace. Unlike the other spaces I’ve covered, The Beacon is not a movie palace in the sense of the grandiosity of its auditorium or the ornate fixtures that adorn the walls. This is a palace to the strangeness, brilliance, and beauty that the medium of cinema can offer. It is a cinephile's paradise in the heart of Seattle's Columbia City neighborhood.

Gray Harrison 10/22/25 Gray Harrison 10/22/25

Andrew Bell on Bleeding, Horror, and Seattle’s Filmmaking Scene

Andrew Bell is a Seattle-based filmmaker whose feature debut, Bleeding (2024), has received attention from the broader horror community in the past year. The film follows teenage cousins Eric (John R. Howley) and Sean (Jasper Jones), in a world where vampire blood is a highly addictive drug. While on the run from Sean’s dealer, they run into a sleeping teenager (Tori Wong) locked in a house, and things spiral into a morbid nightmare. Bleeding tackles intense real-world problems while maintaining the heightened fantasy of horror.