One Night, Many Stars: Gregory Awards Fill Town Hall Seattle with Camaraderie, Joy
On the evening of Monday October 27, actors, theater crew, directors, and producers (along with their families and friends) gathered at Town Hall Seattle for The Gregorys. Twenty-five years of celebration and recognition from and for the theatre community, the theme apt and invited dazzling outfits: One Night, Many Stars.
STUFF Kicked Off with Hilarious, Mundane, Relatable Trans Moments
Seattle Trans Underground Film Festival (STUFF) held its first viewings on October 16, 2025, at the lovely Northwest Film Forum. I had the honor to snuggle into a cozy theatre amongst a host of creative Queer and Trans individuals to watch the festival’s first double feature, CW’s Laughtrack and Henry Hanson’s Dog Movie. There were many laughs and a few tears shed, especially at the films’ closes, where both received minutes-long applause.
The Little Foxes: A Haunting Examination of Fractured Community
October 16 was Opening Night of The Little Foxes at the Erickson Theatre in Capitol Hill. Directed by Ryan Guzzo Purcell, this fall show is a collaboration between Intiman Theatre and The Feast. The play runs through November 2. Written by Lillian Hellman in 1939, The Little Foxes is set in the early 1900s, and follows a fractured southern family at war with each other over money. With a Gothic sensibility and a satirical, sharp wit, the play feels very contemporary and relevant to reality now, despite approaching a century in age.
And the [Gregory] Nominees Are…
With less than one week until the much awaited Gregory Awards, there is much yet to do. Fashion choices must be decided, scenes rehearsed, and speeches prepared. While all that is happening, let’s take a look at who’s going to be there and how their stars rose.
Trans* Talk: Finding Joy
This month has been harrowing for Trans* folks all over the country, with the government shut down due to—among many other things—a disagreement between parties about Trans* healthcare expenses, a few troubling responses to the ‘No Kings’ protests over the past weekend, and more medical misinformation being spread by the current administration. It has been a difficult news week.
Andrew Bell on Bleeding, Horror, and Seattle’s Filmmaking Scene
Andrew Bell is a Seattle-based filmmaker whose feature debut, Bleeding (2024), has received attention from the broader horror community in the past year. The film follows teenage cousins Eric (John R. Howley) and Sean (Jasper Jones), in a world where vampire blood is a highly addictive drug. While on the run from Sean’s dealer, they run into a sleeping teenager (Tori Wong) locked in a house, and things spiral into a morbid nightmare. Bleeding tackles intense real-world problems while maintaining the heightened fantasy of horror.
Under the Covers
You wake up in hazy, hot darkness beneath your comforter. There is a sound coming from somewhere in your room. It is the sound of a foot, shifting positions. It is soft, but heavy, as if someone tall is trying not to make any noise. You go through your list. Your roommate. But he is gone until Tuesday, and it’s Sunday. And why would he come into your room unless it was an emergency. Your girlfriend, but you saw her last night at her place and then left. Sometimes she comes here to shower after the gym, which could be it. Very quietly, you turn your wrist towards your face. It glows green, illuminating the time: 3:32 a.m. So yeah. Your girlfriend would not be coming from the gym at this time.
Announcing: The Echo is The Gregorys’ Media Sponsor!
This past year has been a time of wonderfully huge growth for our li’l publication that could. We’ve taken our first steps from the online woods into the public eye around town, and we couldn’t be happier with our trajectory as the new year approaches. We’re immensely grateful to everyone who’s come along with us on the journey and helped us reveal our creative natures via support and readership.
As such, it is with great pride that we announce that The Echo is the media sponsor for The Gregorys!
Set the Stage: The Gregorys’ Big Comeback at Town Hall Seattle
Tucked in the jagged seam between the end of one theatrical season and the start of another sits the Gregory Awards: a chance for the artists and theater companies of the region to be recognized and celebrated for their achievements and outstanding performances throughout the year.
Evergreen Style: The FXRY
Nowadays, people are buying twice as many clothes as twenty years ago and disposing of them just as much. This phenomenon exacerbates the presence of worldwide. It is often attributed to fast fashion, which promotes excessive buying.
The FXRY (pronounced “fix-ery”) is offering a sustainable alternative.
The Baroness
The rain fell hard as the moon hung in the obsidian sky like a chandelier. Bramble Manor stood resolute over the dark village of Black Brier. The village, founded on partial truths and gossip, sat at the edge of the cloaked woods surrounding it like a crescent. The only way to leave was down an unkept dirt road through an opening in the black woods.
The Rotten Luck of Melinoë
It was just plain rotten luck, or perhaps some cruel twist of fate, that Melinoë, the goddess of nightmares, had plenty of nightmares of her own.
Nightmares of smooth scales and winding bodies pulled flush against her own. Serpents, snakes. They curled around her shoulders, tangled in her hair, corkscrewed around her wrists and ankles. They pulled taut, slithered, and writhed, covered her mouth, her eyes, her ears. And she woke up gasping.
Sound Cinema: Palace Theatre
Walking up to the Palace is like walking on the main street of most beach towns. There are restaurants, unique shops such as the fabulous Griffin Bay Bookstore, and real estate offices that try and entice you to take the plunge and move to the islands full time. Yet, the Palace is not just any building. It sits in the middle of a T with Spring St. crossing in front and Second St. S directing you right to it. It feels like the town draws you toward the Palace like a beacon.
On the Boards’ What Is War Shows Us What Our Televisions Do Not
What Is War, devised by Eiko Otake and Wen Hui, told a gut-wrenching story of the sufferings of women within war-torn nations, one which has been endured by generation after generation since before antiquity: that of brutality, sexualization, and objectification.
Jeffrey Combs Indulges Nerds at Neptune for Re-Animator’s 40th Anniversary
Released in 1985, Re-Animator was loosely adapted from H.P. Lovecraft’s 1922 novelette, “Herbert West—Reanimator,” and while I would gladly change my legal name to “Official Lovecraft Hate Account,” I try not to hold the association against the movie. Director Stuart Gordon, whose background was in theater, originally planned Re-Animator as a stage production. Then it evolved into a television pilot, which was expanded into a feature film.
Masculinity Interrogated at Local Sightings Film Fest
Local Sightings Film Festival returned to Seattle for its 28th year from Sept. 19-28 at Northwest Film Forum. I was able to catch the second weekend of the festival and view three feature-length documentaries from Pacific Northwest filmmakers as well as the All in My Head horror shorts. A tendency in the weekend’s selections was examining large-scale social issues from a personal place, following people enmeshed in the heart of these issues. I noticed a clear thread in several of the films I saw: They contained powerful interrogations of masculinity.
Local Tavia Rhodes Chats First Album, Inspirations, Musical Journey
On September 15, I sat down with Seattleite singer and musician Tavia Rhodes. During that fleeting time, I got to experience Rhode’s creative processes, her muses, relationship with music, as well as her extensive journey to release her first album, Her Say, in October this year.
The Divided Line: Dunya [Part 2]
Dunya closed her eyes and banished the Old-Man-turned-god from her sight. Still, the gods remained before her. In the abyssal blackness behind her eyes, there burned a glowing light. Shadowed figures cavorted around it, symbols flitting overhead. Vishnu and Rávan circled each other in a violent dance of war, and Dunya lay in the pyre at their stamping feet.
Pepper Pepper on Pink’s Power: Queerness, Movement, and Magic
Walking into Pepper Pepper a.k.a. Kaj-Anne Pepper’s show Pink Moment: Collections at Seattle Central’s M. Rosetta Hunter Gallery feels transcendent. Predominantly a new media show with video, sound, and some photography, Pink Moment is an exploration of “pink as queer energy, movement, and magic.” Viewing the work, the color pink takes on an ethereal effect as the motion of Pepper Pepper—acting as both subject and performer—reveals a dynamic, prismatic quality that is dreamlike and hypnotizing.
Commingling at HUMP: Festival Newbies and Veterans Savor Sexuality on Screen
Upon arrival, we mingled, got in line for the bar, and sat in the lobby chatting about the excellent playlist, the overall vibe, and any preconceived notions (of which there were few). Once the doors to the theater opened, we meandered in, a perk of arriving early and secured seats that would allow for the optimal middle-of-the-theater view. We tried to answer the trivia questions as they popped up on the screen, the preshow displaying information about the sponsors as well as information for submitting a film to HUMP! for next year.