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Tara Campbell Continues Book Tour at Hugo House
Campbell's work blends elements of fantasy, magical realism, poetry, and speculative fiction, which evokes the styles of a host of renowned authors, including Margaret Atwood, Isabel Allende, Walter de la Mere, Octavia Butler, Jonathan Swift, Douglas Adams, Ann Carson, and Brian O'Nolan, offering readers a robust, immersive literary experience.
Tara Campbell’s book tour continues at Hugo House in Seattle, with a reading and writing workshop on September 18, 2024, from 7pm-9pm at the Salon Stage.
Geeking Out with Our Steampunk Favorites: The Finale
Steampunk can be treated in a really serious fashion, as any genre can be. There is very serious steampunk fiction—I really recommend reading Everfair by Nisi Shawl if you want some very beautiful serious steampunk fiction—but also there’s a certain element to steampunk that is absurd. It’s ridiculous! And we are leaning into that. And sometimes people need to be reminded as adults, especially in this hard, hard world, that you can laugh! You can just come and as the English say, take the piss out of something.
Kirsten McCory: Reflections of Creative Diversity
Kirsten McCory is a Seattle-area actor, playwright, voice artist, and model. Several months ago I had the pleasure of acting in a stage reading of a play she wrote called In The Garden. A few months later, I was invited to do a table read of another play she is creating: 100% Solution. I realized later that being immersed in Kirsten’s writing gave my inner artist lessons about creativity and self-expression that anyone can benefit from. Always diligently moving through some part of the creative process, she dares to dream—and all the better for the dynamic worlds and multifaceted characters she manifests into theaters near you. Kirsten McCory is currently playing the character of Amanda Wingfield in a local production of the Tennessee Williams play The Glass Menagerie.
Madame Askew and The Grand Arbiter: The Origin Story
One of the things that I think makes us really unique in the steampunk space is that our events are in general designed to be us as hosts or facilitators and the guests are the stars. They get to be performers. We have what I call the Big 3 competitions that we run, which is Tea Duelling, Splendid Teapot Racing (RC cars shaped to look like teapots that you run through an obstacle course), and Madame Askew’s creation: Compliment Duelling.
Prolific Purveyors of Steampunk Whimsy: Madame Askew and The Grand Arbiter
Through the magic and glory that is Capitol Hill queer life, I happened to meet a wonderfully nerdy fellow named Glenn via a mutual acquaintance. During our chat, I discovered he was half of a performing duo versed in steampunk spaces. Ever the nerd myself involved in a myriad of geeky realms, I was instantly intrigued. How does one perform Steampunk? What’s so special about the genre, and how are they bringing something new to the niche? The answers may surprise and titillate you. I present to you: Madame Askew and The Grand Arbiter.
Acuña: A Questioner and A Teacher
We interviewed multidisciplinary artist Heidi Grace Acuña, asking questions exploring their journey teaching across Seattle and the lessons they learned helping them succeed. They have appeared all over Seattle and will be having upcoming showcases at Seattle Center with Artists at the Center: Spin the Look and at AXIS gallery for Still in Our Feels, both this Thursday, March 14.
The Advocate Within: Guzman’s Fight for the Voiceless in SeaTac
If Councilmember Guzmán keeps igniting progress and starts empowering a new generation of civic leaders, what’s next? With her momentum, she could easily take on more challenging roles like mayor or governor. The people benefit from having Councilmember Guzman, a compassionate advocate and social worker, representing them. “My priority is the people, and I aim to give them a voice in every decision-making process.” she says. Often, the outspoken face suppression and silence. Yet, Councilmember Guzmán’s voice resonates even through adversity.