‘Sinners’ in the LGBTQIA+ Lens, Part 2: Protection of Youth
With Sammie, one of the most notable themes in Sinners—the protection of youth—is carried through the film.
‘Ashes, Ashes’ Snapshots Family, Grief, Humor in Kenmore
Ashes, Ashes, We All Fall Down, written by Gretchen Douma, premiered February 5-8 at As If Theatre. The play, with its familial themes and living room-confined location suited the small, homey venue well. Staff greeted guests with warmth, ensuring all felt welcomed into the budding Kenmore arts community. Upon entering the Kenmore Community Club, a donation-based concession stand sold fresh, homemade cookies which added a unique layer of care, commitment, and connection to the performance and the theater space that often goes unfelt by patrons at larger venues.
Soft Life, Hard Lessons: The Luxury of Letting Go
“Whatever you’re doing, keep doing it. You look ten years younger.”
That’s what a man told me recently, and I had to smile. He didn’t know he was looking at a woman who had survived a tsunami. He didn’t know that just as I had finished a hard, honest conversation with myself about the state of my marriage, a hidden betrayal hit me with a force that nearly annihilated me. I had no time to brace for the impact; I just had to decide if I was going to swim or float away aimlessly.
As If Theatre Debuts New Works Program with ‘Ashes, Ashes, We All Fall Down’
Described as a “dramedy about what happens when the skeletons in the closet meet the ashes in the jar,” Ashes, Ashes is Gretchen’s first full-length play produced for the stage. The playwright has over thirty years of experience as an actor, ten years of writing as a theater critic, and more recently joined the storytelling community à la The Moth. She first began developing the idea for the play in 2017 while taking a playwriting class with Rebecca Touriño Collinsworth, founder of Parley Productions.
Twin Peaks: The Return Offers Meditation on Grief, Feeling Life in the Moment
Two days after the dream, I entered a darkly lit theater in Northwest Film Forum to the familiar sound of the synth-heavy, nostalgic yet eerie Twin Peaks theme song, and shuffled into a seat. I was about to spend two hours watching episodes five and six of Twin Peaks: The Return (2017), as part of a collaborative screening of the entire 18-episode season held by Northwest Film Forum, SIFF, The Beacon, and The Grand Illusion Cinema between November 13 and December 16 of this year. I had only watched the first four episodes of the first season of David Lynch’s masterpiece series set in our home state. But there I sat, going in blind.
Impossible Maps Questions Life and Grief Through Dance
Impossible Maps, a dance concert choreographed by C. Asa Call and performed at Yaw Theater, explored the ever-agonizing experience of grief and how, despite its wretched terrain, it can and must be navigated. Under a mythic lens, it interwove expressions of humanity’s despair with the mourning of Earth’s seasonal cyclical deaths and its inevitable final destruction.
